Posts Tagged Historical Fiction

The Witchfinder’s Sister by Beth Underdown

Essex, England, 1645. With a heavy heart, Alice Hopkins returns to the small town she grew up in. Widowed, with child, and without prospects, she is forced to find refuge at the house of her younger brother, Matthew. In the five years she has been gone, the boy she knew has become a man of influence and wealth—but more has changed than merely his fortunes. Alice fears that even as the cruel burns of a childhood accident still mark his face, something terrible has scarred Matthew’s soul.

There is a new darkness in the town, too—frightened whispers are stirring in the streets, and Alice’s blood runs cold with dread when she discovers that Matthew is a ruthless hunter of suspected witches. Torn between devotion to her brother and horror at what he’s become, Alice is desperate to intervene—and deathly afraid of the consequences. But as Matthew’s reign of terror spreads, Alice must choose between her safety and her soul.

Alone and surrounded by suspicious eyes, Alice seeks out the fuel firing her brother’s brutal mission—and is drawn into the Hopkins family’s past. There she finds secrets nested within secrets: and at their heart, the poisonous truth. Only by putting her own life and liberty in peril can she defeat this darkest of evils—before more innocent women are forced to the gallows.

Inspired by the real-life story of notorious “Witchfinder General” Matthew Hopkins, Beth Underdown’s thrilling debut novel blends spellbinding history with echoes of Margaret Atwood’s The Handmaid’s Tale for a truly haunting reading experience.

 

REVIEW

 

I’ve always been interested in the history of the witch trials and the unbelievable mindset during those times. If the author’s good, and this one is, I get very frustrated with the docile demeanor of the women and the obviously hateful nature of the accusers. Common sense seems to have been lost while the powerful beat down the powerless with fear and intimidation.  All of this drama makes it all too hard to put down!

Underdown has done a wonderful job delivering a well-rounded novel, completed by a surprise ending. The setting is perfect, situations true to times, and plot well-crafted.  I feel it’s quite an imaginatively written story, as there’s not a great deal of information about Matthew Hopkins from a personal standpoint.

I recommend for those interested in the era.

 

***As with all my reviews, I must warn of possible triggers, violence, and adult situations***

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About This Literary Chef

Beth Underdown was born in Rochdale in 1987. She studied at the University of York and then the University of Manchester, where she is now a Lecturer in Creative Writing.

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Beauty of the Beast by @RachelLDemeter

Beauty of the Beast
by Rachel L. Demeter
Fairy Tale Retellings, #1
Release Date: March 15, 2017
Genres: Adult, Historical Romance, Fairy Tale Retellings, Gothic Romance
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🥀 Book Blurb 🥀

Experience the world’s most enchanting and timeless love story—retold with a dark and realistic twist.

A BEAST LIVING IN THE SHADOW OF HIS PAST

Reclusive and severely scarred Prince Adam Delacroix has remained hidden inside a secluded, decrepit castle ever since he witnessed his family’s brutal massacre. Cloaked in shadow, with only the lamentations of past ghosts for company, he has abandoned all hope, allowing the world to believe he died on that tragic eve twenty-five years ago.

A BEAUTY IN PURSUIT OF A BETTER FUTURE

Caught in a fierce snowstorm, beautiful and strong-willed Isabelle Rose seeks shelter at a castle—unaware that its beastly and disfigured master is much more than he appears to be. When he imprisons her gravely ill and blind father, she bravely offers herself in his place.

BEAUTY AND THE BEAST

Stripped of his emotional defenses, Adam’s humanity reawakens as he encounters a kindred soul in Isabelle. Together they will wade through darkness and discover beauty and passion in the most unlikely of places. But when a monster from Isabelle’s former life threatens their new love, Demrov’s forgotten prince must emerge from his shadows and face the world once more…

Perfect for fans of Beauty and the Beast and The Phantom of the Opera, Beauty of the Beast brings a familiar and well-loved fairy tale to life with a rich setting in the kingdom of Demrov and a captivating, Gothic voice.

Beauty of the Beast is the first standalone installment in a series of classic fairy tales reimagined with a dark and realistic twist.

Disclaimer: This is an edgy retelling of the classic fairy tale. Due to strong sexual content, profanity, and dark subject matter, including an instance of sexual assault committed by the villain, Beauty of the Beast is not intended for readers under the age of 18.

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🥀 Review 🥀

Once again, this author delivered an extraordinary novel!

I am an avid fan of Beauty and the Beast, but I feel that Rachel Demeter has completed this story for adult women.

Adam and Isabelle are imperfectly perfect.

An extraordinary adaptation of the original bedtime story, Demeter writes with a sense of realism that brings you closer to the characters and their beautiful tragedies. The true nature of the story is elevated to a more mature level with remarkable skill, making this an intense read that’s impossible to put down.  I simply love this novel, and I’m convinced that the author lives and breathes historical fiction, as it is definitely her forte.

The characters are enchanting, the story is engrossing, and the ending wraps up beautifully!  You will not regret reading this novel. A MUST READ!

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🥀 Excerpt 🥀

~ The East Tower ~

Arms sprang out from the darkness. They spun her full circle and slammed her body against the king’s portrait. Isabelle gasped, more in shock than from pain, as she stared into Adam’s deformed face. The lantern flickered behind his massive form, casting his cloaked body in silhouette. But she saw enough to know he was far from pleased. Rage and frustration radiated from his body like a palpable force.

“I warned you to stay out of here,” he said, his voice dangerously cold and deep. Those rugged vocals vibrated against her body and seeped into her marrow. “What part of forbidden didn’t you comprehend?” His voice lashed out from the darkness like a hurtled knife, and the word “forbidden” seemed to whisper another meaning altogether. Isabelle tried to answer but failed to find her voice. Indeed, her vocal cords had turned to solid ice, as numb and cold as the blood rushing through her veins. She couldn’t breathe; she felt like she was suffocating.

“My mother gave me that musical box on my fourth birthday,” he said, the sensual lull of his voice causing the fine hairs on her nape to stand erect. “And now your recklessness has destroyed it. Have you nothing to say?”

“I—I’m sorry.” He offered no reply; only the ragged sound of his breathing and the hammering blizzard broke the silence. “Please—I didn’t mean any harm.”

She struggled under the weight of Adam’s colossal body and battled to free herself. He merely gave a low chuckle and pressed her firmly against the portrait. He looked otherworldly at that moment, like an angel of death seeking vengeance. Both beautiful and monstrous, his cool, sapphire eyes overflowed with warring emotions. In spite of his harsh and ruthless exterior, she detected a quaver in his voice and saw that his large, cloaked shoulders trembled. The darkness in his soul cast a shadow that embraced her; as she peered up at him, she knew he was drowning in the turbulent waters of a past time.

“What a disappointment,” he went on, his voice growing deeper still, mocking her words from so many days ago, “You’re like any other woman.”

“I—I’m sorry. Please, Adam. I—” Her gaze shot past his body and over the wreckage of a past life. She thought of her private chamber again—of the stale perfumes and outdated garments.

Her flight or fight instinct seized hold of her. She attempted to scramble free, but he merely grabbed her shoulder and whirled her back against the portrait. Gloves wrapped his hands; his long, silk-clad fingers grasped her shoulder and kept her firmly in place.

He stood intimately close.

Far too close.

As close as Raphael had been that night.

“Going somewhere, ma belle? After you’ve worked so hard to find my East Tower?”

Hands like two steel bands held her wrists in place. Hot breaths, which faintly smelled of wine, seared her cheeks and assaulted her senses. Her breasts flattened against the pressure of his strong chest, and she felt that same chest swell and deflate in perfect sync with her own. One large hand slipped down her elbow and glided across her extended arm. The lush material of his gloves drew a shudder from her heaving chest. His breathing grew more ragged, shallower, and the erratic beat of his heart banged against her own.

Anger and desire warred on his face, twisting his features into a mess of both monster and man. “Find anything of interest, aside from my musical box? Come, come. You went through such great trouble to get here,” he asked, his voice now threaded with both anger and something else.

Yes, Isabelle recognized that something else. It was the same note that had entered Raphael’s voice that night…

She attempted to duck under his arm, but he moved swiftly, capturing her in the crook of his elbow. Reeling her toward him, he emitted a low, haunting chuckle that swelled the eastern tower to its rafters. She was back where she’d started—pinned against the portrait, Adam’s body serving as a flesh-and-blood blockade.

Hunger radiated from him, enfolding her in a current of sizzling power. His silk-clad hand grazed the curve of her breast as it moved down her body in a painfully slow caress. Even more alarming was her reaction to him. Her treacherous body responded with a crush of hot and cold pulsating waves. Then he whispered a taunt in her ear, and his liquid baritone slid down her backbone like honey; it swirled inside her, finding its home in her most intimate area.

He leaned closer still. His face’s uneven skin brushed against her neck, the black waves of his hair tickled her chin… His thick arousal expanded against her, reminding her of what he was capable of—and of her sheer vulnerability.

His lips teased the base of her throat. Cursing her traitorous body, Isabelle gasped at the gentle scraping of his teeth. His tongue and lips tormented her throbbing pulse—just barely, stirring her skin in a mere ghost of a touch.

🥀 Meet the Author 🥀


Rachel L. Demeter lives in the beautiful hills of Anaheim, California with Teddy, her goofy lowland sheepdog, and her high school sweetheart of fourteen years. She enjoys writing poignant romances that challenge the reader’s emotions and explore the redeeming power of love.Imagining dynamic worlds and characters has been Rachel’s passion for longer than she can remember. Before learning how to read or write, she would dictate stories while her mother would record them for her. She holds a special affinity for the tortured hero and unconventional romances. Whether crafting the protagonist or antagonist, she ensures every character is given a soul.

Rachel endeavors to defy conventions by blending elements of romance, suspense, and horror. Some themes her stories never stray too far from: forbidden romance, soul mates, the power of love to redeem, mend all wounds, and triumph over darkness.

Her dream is to move readers and leave an emotional impact through her words.


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Release Day Blitz! The Tempting of Thomas Carrick by Stephanie Laurens

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SYNOPSIS

Thomas Carrick is determined to make his own life in the bustling port city of Glasgow, far from the demands of the Carrick clan, eventually with an appropriate wife on his arm. But disturbing events on his family’s estate force Thomas to return to the Scottish countryside—where he is forced to ask for help from the last woman he wants to face. Thomas has never forgotten Lucilla Cynster and the connection that seethes between them, but to marry Lucilla would mean embracing a life he’s adamant is not for him.

Strong-willed and passionate, Lucilla knows Thomas is hers—her fated lover, husband, protector, mate. He is the only man for her, just as she is his one true love. How can he ignore a bond stronger than reason and choose a different path? She’s determined to fight for their future, and while she cannot command him, she has enticements of her own to wield when it comes to tempting Thomas Carrick.

 

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EXCERPT

He knew they had to stop, to cease and desist before he lost all hope of ever stepping back from her. Of ever letting her go.
But her hand remained on his cheek, her touch scalding in a way that had nothing to do with heat, effortlessly holding him captive. Holding his senses, snaring them in a net of want from which he couldn’t break free.
His senses and his mind were literally reeling.
She seemed to know, to realize.
But instead of comprehending the danger, pulling back, and letting him go, she reached—with her lips, with her body, with the gentle pressure of her hand on his cheek.
A sudden clattering clang of hooves on cobbles snapped them both free; on a mutual gasp, both pulled back from the kiss.
The sharp clatter was followed by shouts and calls.
For one instant, they remained locked together, gazing into each other’s eyes. Both of them were breathing rapidly. His pulse thudded in his ears.
Then the calls rising from below hauled them both fully back to the here and now.
They stepped apart. Side by side, they moved to the window.
That end of the disused wing overlooked the stable yard. On the cobbles below, they saw Nigel and Nolan, still mounted, their horses dancing, infected by the brothers’ transparently ebullient spirits.
Nigel had called for the stablemen—that had been the summons Thomas and Lucilla had heard—but Sean, Mitch, and Fred were taking their time.
Thomas watched as the stablemen slowly ambled across the yard and—it seemed grudgingly—held Nigel’s and Nolan’s horses. Apparently oblivious to the almost sullen disapprobation radiating from their clansmen, the brothers continued exchanging comments with each other as they dismounted, then haphazardly flung their reins toward the stablemen and started toward the house.
There were no greetings exchanged between the stablemen and the young masters of the house. As far as Thomas could see, there hadn’t even been any true acknowledgment of each other—a remarkable contrast to when he’d ridden in.
Frowning, he stepped back from the window. Less than a second’s thought sufficed to suggest that making his presence known to Nigel sooner rather than later would serve everyone, Manachan especially, best.
He looked at Lucilla. She was still gazing down at the stable yard, at the stablemen leading the horses away. Even though he couldn’t see her eyes, from her pensive, assessing expression it was clear that she’d detected the strain between the two groups of men and, like him, found it curious.
“I should go and break the news to Nigel.” He took another step back. When she turned to look at him, he pointed over his shoulder at the door just along the corridor. “That’s the door to the gallery in the main wing.” Briefly, he met her gaze. “I’ll see you later.”
He didn’t wait to see if she would reply; he turned on his heel, strode to the door, and escaped.
Lucilla watched him go. He left the door ajar; whether he’d meant to or not, it was a clear invitation to follow. Which she fully intended to do.
The kiss…had been everything she’d wanted. Even more than she’d dreamed of. But now Nigel and Nolan had arrived, such personal matters had to be set aside—for the moment. Until later.

 

ABOUT THIS LITERARY CHEF

Stephanie Laurens

#1 New York Times bestselling author Stephanie Laurens began writing romances as an escape from the dry world of professional science. Her hobby quickly became a career when her first novel was accepted for publication, and with entirely becoming alacrity, she gave up writing about facts in favor of writing fiction.

Laurens’s novels are set in the time period of the British Regency, and her settings range from Scotland to India. Laurens has published fifty works of historical romance, including 29 New York Times bestsellers. All her works are continuously available in print and digital formats in English worldwide, and have been translated into many other languages. An international bestseller, among other Stephanie’s email contactsaccolades Laurens has received the Romance Writers of America prestigious RITA Award for Best Romance Novella 2008, for The Fall of Rogue Gerrard.

Her continuing novels featuring the Cynster family are widely regarded as classics of the genre. Other series include the Bastion Club Novels and the Black Cobra Quartet. For information on upcoming releases and updates on novels yet to come, visit Stephanie’s website.

 

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Author Q&A: The Tempting of Thomas Carrick by Stephani Laurens

RELEASE DATE: FEBRUARY 24TH

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SYNOPSIS

Thomas Carrick is determined to make his own life in the bustling port city of Glasgow, far from the demands of the Carrick clan, eventually with an appropriate wife on his arm. But disturbing events on his family’s estate force Thomas to return to the Scottish countryside—where he is forced to ask for help from the last woman he wants to face. Thomas has never forgotten Lucilla Cynster and the connection that seethes between them, but to marry Lucilla would mean embracing a life he’s adamant is not for him.

Strong-willed and passionate, Lucilla knows Thomas is hers—her fated lover, husband, protector, mate. He is the only man for her, just as she is his one true love. How can he ignore a bond stronger than reason and choose a different path? She’s determined to fight for their future, and while she cannot command him, she has enticements of her own to wield when it comes to tempting Thomas Carrick.

 

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Q&A

Thomas and Lucilla are both especially strong and stubborn characters, as so many of your heroes and heroines are. Is there a particular reason for this a) in general, and b) in this particular case?

In the general sense, I’ve always used strong characters because the scale and intensity of emotional clashes between such characters is more powerful, has the potential to be more wide-ranging, and is also likely to strike brighter sparks. A strong character doesn’t give way when someone opposes them or gets in the way of their will and drive—they immediately push back, and that refusal to back away is one of the key elements that leads such a pair of characters deeper and deeper into Cupid’s snare as they are forced to adjust and adapt to each other–a critical element of establishing an emotional partnership.
There’s a general assumption that strong and confident characters will have an easier time dealing with love, however, in reality I think it’s the opposite, and such characters find the existence of an emotion strong enough to make them change difficult to accept.
Which brings me rather neatly to Thomas and Lucilla. He is the ultimate strong character with a very powerful, emotional, and deeply personal reason to shut himself off from love. Against that, Lucilla, an equally strong character, is unswervingly convinced that they are fated to love and marry—but she, too, has a few lessons to learn in what love—even a fated love—will demand.
In short, my motivation for using strong characters can be summed up as: the stronger they are, the more they resist and, ultimately, the harder they fall.

 

Is there a heroine you’ve ever written that is most like you?
Not really. I think it’s pretty easy to see the individual traits that are common to all my heroines, and I would never try to write a weak-willed milquetoast heroine, but that’s largely because I have no patience with reading about such women. So my heroines’ personalities are more a reflection of the sort of heroines I like to read about than a reflection of me personally.
Readers first met Thomas Carrick in the Cynster holiday special By Winter’s Light. Did his earlier meeting with Lucilla described in that book affect the pair’s actions in this book?
That earlier meeting in By Winter’s Light sets the stage for Thomas and Lucilla’s romance. Both of them leave that first encounter with the knowledge that the other could be their future spouse. Lucilla is ready to accept that Thomas is her fated future husband, lover, and consort, but Thomas, having experienced a complementary visceral connection to Lucilla, concludes that, as he wishes to avoid love, then she is someone he would be wise to avoid.
So from the instant they part after that first encounter, they are set on opposing tracks—Lucilla expecting and waiting for Thomas to return to her side and claim her hand, and Thomas doing his level best to stay far away.
It’s a standoff, until the actions at the start of The Tempting of Thomas Carrick force—literally force—them together again.

Deerhounds feature in By Winter’s Light and also in The Tempting of Thomas Carrick. Why deerhounds?

I needed a large dog to accompany Thomas through the snowstorm in By Winter’s Light, a dog big enough to physically assist, and also the sort of dog that might have been in such a community—a gentry family in the Scottish uplands of the period. So I went searching for breeds of dogs, and stumbled upon Scottish deerhounds. The more I read about them, the more perfect they seemed, and so Hesta padded onto my stage, and from there, the addition of Artemis and Apollo was an obvious extrapolation.
The dogs are fascinating—a shaggy, curly-coated, quite large breed built for speed and with superb eyesight. They are sight-hounds, and also track on the ground by scent, and as their name suggests, were specifically bred to hunt deer in the rugged terrain.
However, the real impact of the deerhounds, story-wise, doesn’t occur until the next book, A Match for Marcus Cynster, in which the packs we learn about through The Tempting of Thomas Carrick, come into their own and play an active role in Marcus and his lady’s adventures.

Both By Winter’s Light and The Tempting of Thomas Carrick are set in Scotland, in the south western uplands. Were there any particular challenges in using such a setting?

By Winter’s Light and The Tempting of Thomas Carrick are both centered on the Vale of Casphairn, which was a setting first introduced in Scandal’s Bride, the story of Richard and Catriona, Lucilla and Marcus’s parents (more on that below). Thus the settings for the recent books were not a matter of choice, but rather mandated, a necessary return to a previous place.
Such a wild country setting is very useful on the one hand, and a drawback on the other. The rugged beauty and landscape is a plus, while the isolation and the distance from any larger town or place of social congregation severely limits the opportunities for social events, even country house dinners. Consequently, the action in the story remains at all times strongly focused on the interaction between the two principal characters, with little to no distraction from external events. That puts a heavier burden on the romance plot than would be the case in a more urban setting, but that does mean the romance dominates and is always front and center. So there’s positives and negatives in using such a setting, but, overall, such settings definitely have their place when writing romances.

In this book, you also take readers to Glasgow—you paint quite a cosmopolitan picture of the town. How true to life is that depiction?

I admit that my first mental vision of Glasgow was as a heavily industrialized town, centered on shipping on the Clyde. While the importance of shipping on the Clyde was correct, in the mid-1800s, Glasgow was a thriving merchant center with distinct aspirations toward the sophistication, polish, and civilized amenity we might associate with a seaport like Boston. In this period, Glasgow was a major merchant hub, and it was therefore highly prosperous, and the resulting wealth found expression in the houses and squares, the well-appointed offices and genteel clubs and in the evolving social scene.

Readers are familiar with Casphairn Manor, and the Vale of Casphairn, but the nearby village is Carsphairn. Was there a reason for the difference?

This is one of those tales of things that “would not happen now.” I wrote the first novel featuring the Vale of Casphairn and Casphairn Manor back in the days before Google Maps. Or any sort of satellite imagery, or even ready access to detailed maps via the internet. At the time, I had several detailed maps of England, but as the village of Carsphairn is a very small settlement, it was shown in small—not to say tiny and non-expandable—font. So I read the name as Casphairn, not the correct Carsphairn.
Years later, when I was writing Viscount Breckenridge to the Rescue, where the characters spend time in the Vale and at the manor, I was using Google Maps to study the areas to the east of where I had positioned the Vale, and when I zoomed in…I saw that the village name was really Carsphairn! Horrors! Luckily, I don’t think I’ve ever actually said the village itself was called Casphairn, only the Vale and the manor, but it was too late to change those—they’d already been written into history. So the Vale and the manor, both of which are fictitious, remain as Casphairn, while the village is correctly named Carsphairn.
Out of curiosity, I did go back to the original map. To the naked eye, it still looks like Casphairn—only with the help of a strong magnifying glass can you see that extra r.

Lucilla’s position as healer to the Vale community, and, indeed, all people under The Lady’s protection, features strongly in this book. How common were such healers?

Despite the rise of more formal medicine and the doctors who practiced it, traditional folk healers—those we might now term homeopathic healers or herbalists—were not uncommon into the late 1800s in England. In country areas, they would almost always be the first consulted, even by those living in the larger, wealthier houses. The history of herbal remedies is very deep and broad throughout the British Isles, and the more isolated the community, the greater the distance from a major town, the more likely that the people would turn first to the local “healer.” Midwifery and the treatment of common ailments remained largely the province of such healers even into the 1900s.
That said, as mentioned in this book and the next, in this period, when it came to interacting with the apparatus of law and order, for instance in formally reporting a death, the “doctor”—meaning a man formally trained in the western medical tradition—would be the one sent for.

This book is the first of the Cynster Next Generation Novels, and will be followed by Lucilla’s twin brother, Marcus’s story in June. Are there more Cynster Next Generation Novels to come?

Yes, indeed! As By Winter’s Light was in essence a pivotal volume, shifting focus from the original Bar Cynster generation to the lives of their near-adult children, and within the tale of By Winter’s Light were the seeds of Lucilla’s romance, then her book had to come first, in The Tempting of Thomas Carrick. And within Lucilla’s story lie the seeds of Marcus’s story, and as he is her twin, his book, A Match for Marcus Cynster, had to come next. It will be released on May 26, 2015.
But at the end of The Tempting of Thomas Carrick, and even more definitely at the end of A Match for Marcus Cynster, we catch up with the other Cynsters now facing up to the challenge of marriage and finding a suitable spouse. We see and appreciate that all is not going to be smooth sailing for such very robust individuals, neither the males nor the females. There are at least 6 more Cynster Next Generation novels to come—the romances of Devil’s three children, Sebastian, Michael, and Louisa, and those of the remaining “older group”—Prudence, Christopher, and Antonia Rawlings. After that…well, I’m sure that by the time I finish Louisa’s tale, we’ll know a lot more about Annabelle, Juliet, and Therese. And I already know what Calvin and Carter get up to, which should prove a lot of fun. Lots more to enjoy!

 

ABOUT THIS LITERARY CHEF

Stephanie Laurens

#1 New York Times bestselling author Stephanie Laurens began writing romances as an escape from the dry world of professional science. Her hobby quickly became a career when her first novel was accepted for publication, and with entirely becoming alacrity, she gave up writing about facts in favor of writing fiction.

Laurens’s novels are set in the time period of the British Regency, and her settings range from Scotland to India. Laurens has published fifty works of historical romance, including 29 New York Times bestsellers. All her works are continuously available in print and digital formats in English worldwide, and have been translated into many other languages. An international bestseller, among other Stephanie’s email contactsaccolades Laurens has received the Romance Writers of America prestigious RITA Award for Best Romance Novella 2008, for The Fall of Rogue Gerrard.

Her continuing novels featuring the Cynster family are widely regarded as classics of the genre. Other series include the Bastion Club Novels and the Black Cobra Quartet. For information on upcoming releases and updates on novels yet to come, visit Stephanie’s website.

 

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REVIEW! Nothing Left Sacred by Daniel Diehl

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SYNOPSIS

Nothing Left Sacred takes the reader on a twisting, panic-filled journey through the secretive corridors of power surrounding Henry VIII and the glittering Tudor court. This taught political thriller carries us from the grandeur of the royal palaces to the seldom-glimpsed resistance network that rose in opposition to Henry’s radical religious reforms which would create the Church of England.

When the mounting panic created by the King’s emotional instability combines with the twisted machinations of a corrupt justice system, they collide head-on with the leaders of England’s fantastically wealthy, yet tragically naïve, monastic community. The struggle between these opposing forces creates an atmosphere of claustrophobia and dark political paranoia not found in an historical novel since Umberto Ecco’s ‘The Name of the Rose’.

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REVIEW

I’ve read a couple of novels by this author, and his writing skills are extremely versatile.  The story is detailed expertly, the plot is extremely captivating, and the characters are perfectly written.  After years of reading Tudor novels, the complexity of this novel sets it apart from the rest.  While some may find the little things cause a lag in the story line, I find them fascinating!  I appreciate the small details that may make or break a character for me, and Diehl leaves no stone unturned.  I simply love his work!

Lovers of Henry VIII and the Tudor Court, as well as those interested in Historical Fiction involving religious/civil unrest will love this!

ABOUT THIS LITERARY CHEF

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Daniel Diehl is an author, writer, and investigative historian with thirty years experience in his field. For nearly twenty years Diehl has been involved in writing for publication and documentary television production.

Diehl’s work has won awards from the Houston (Texas) Film Festival, the National Trust for Historic Preservation (US) and the City of Pittsburgh, Pennsylvania Arts Foundation. Working alone and as a part of the multi-award winning team of Daniel Diehl and Mark Donnelly, Diehl has produced work in two main categories; trade publication and television documentary scripts. His canon of work includes eighteen non-fiction books (which have been translated into nine foreign languages) and scripts for more than one hundred and seventy hours of documentary television primarily for A&E Network, The History Channel, History International and Discovery Network.

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Review! Favorite Daughter (Part One) by Paula Margulies

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Favorite Daughter, Part One

by Paula Margulies

ISBN 13: 978-0-9913545-2-8

ISBN 10: 0991354524

One People Press: July 21, 2014

 

Synopsis

 

Set in the time of the Jamestown settlement and the English explorer John Smith, Favorite Daughter, Part One recounts the story of Chief Powhatan’s daughter, Pocahontas, as she prepares to take her place as one of our nation’s earliest leading women. Pocahontas invites readers to experience her native world when strangers appear on the shores near her village. From forging a relationship with the charismatic Smith, to experiencing love for the first time and creating a role for herself in her father’s plans for peace, this young girl takes us on a poignant and harrowing journey through the turbulent events of her life. Eventually betrayed by all of the men she loves, Pocahontas matures into a heroine of tremendous nobility, courage, and heart.

 

Told in first person, in a voice brimming with compassion and wisdom, Favorite Daughter, Part One provides a compelling look at the early days of one of the most remarkable legends in American history.

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Review

 

Pocahontas was one of my favorite heroines growing up, as my ancestry carries Native American blood. Her bravery and perseverance through what must have been a nightmare at times is not only heartbreaking, it’s inspiring.

I thoroughly enjoyed this novel! The author has done a wonderful job of bringing this extraordinary character and the Powhatan tribe to life, in a manner that’s believable. The research invested is evident, and shines through with every turn of the page. Although a work of fiction, I found this to be the most intimate and realistic portrayal of Pocahontas to date.

This is a treat for lovers of Native American History, as well as Historical Fiction/Romance. Adding to the story, Margulies has a Powhatan glossary for reference. Readers should be aware that this is a cliffhanger and merely covers Pocahontas’ coming of age. I look forward to the next installment as we read this author’s take on our heroine’s adulthood.

 

*Editor’s Choice Award Winner, 21st Annual San Diego State University Writers’ Conference*

 

Paula Margulies PhotoPaula Margulies is the owner of Paula Margulies Communications, a public relations firm for authors and artists. She has received numerous awards for her short stories, essays, and novels, including her historical novel, Favorite Daughter, Part One, her debut novel, Coyote Heart, and her short story collection, Face Value: Collected Stories. Paula is a contributor to Author Magazine, the San Diego Examiner, and The Writers Edge

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BLOG TOUR STOP & GIVEAWAY! SEDUCING THE RUTHLESS ROGUE by Tammy Jo Burns

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Seducing the Ruthless Rogue
by Tammy Jo Burns
The Rogue Agents #2
Publication Date: October 19, 2014
Also in this series: Taming the Wicked Wulfe
Genres: Historical, Romance
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Seducing The Ruthless Rogue Cover

Synopsis:

As Director of The War Office, Stuart McKenzie, has proven himself capable of making difficult decisions in times of crisis and keeping government secrets safe. When he walks in on someone ransacking his study he quickly moves to apprehend them, only to be tossed on his back as the burglar escapes into the night.

Cassie’s father has become a pawn in the fight against Napoleon. When the enemy kidnaps him, she will do anything it takes to get him back – including stealing government secrets from Stuart McKenzie, the Director of the War Office.

When Cassie is caught, she reluctantly agrees to Mack’s assistance as there is something far more sinister going on. As Mack embarks on his mission, he will find that enemies are often closer than one would think and that sometimes your ally will come in the least likely form. When passion erupts between Mack and Cassie, they find their lives forever altered. But just as they believe their lives to be free of danger, a new threat is lurking about, promising to rip their happiness away from them. Will they be able to trust each other enough to defeat this new threat, or will they be torn apart for all eternity?

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REVIEW

This was a fast-paced read that I simply could not put down!

I admit that I was expecting more content pertaining to the wars during this period, but the author has done a superb job of delivering a thrilling alternative.

Mack and Cassie are intelligent, gorgeous, and very hard-headed! Both have inner demons, which sometimes cloud their judgment. It is this, along with a few other similarities that cause the fiery couple to butt heads. These altercations can be comedic, heartbreaking, and incredibly sexy! I enjoyed reading as the layers were peeled back and our hero and heroine were truly revealed.

This novel stands alone well. Each sorrowful scene was countered with either comedic relief, or an act of kindness. The mystery involved had me second guessing everyone, and I couldn’t get enough of the passion! I will be reading the rest of the author’s work, as the secondary characters are too wonderfully written to ignore. I thoroughly enjoyed this novel, and I recommend it for romance and mystery lovers.

About This Literary Chef

Tammy Jo BurnsFrom a young age I could always be found carrying around books to read while watching my grandmother’s soap operas with her. I read anything and everything I could get my hands on and even made up skits and stories for my friends and me to act out. Once I outgrew the children’s and YA books, my mom introduced me to an entirely new world – contemporary romance. Upon discovering I had a love for history I began devouring historical romances. One day, sitting in a college British History class, something the professor said made me think, I wonder. I quickly called mom (also a writer) and ran the idea by her. After being told, “Of course you can do it, you’re my daughter,” the rest, as they say, is history. I currently share my love of reading with the next generation as a high school librarian, and share my personal life with my demanding dog trapped in a cat’s body, Ajax.

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